The lines cross space. Lines cut emptiness. Lines set boundaries. They fence, hide the fact that on the other side.

SPECIAL PROJECT's object turns the windowcase gallery into what should be inside - into the picture. On the picture we see lines. On the lines we have other lines. It's like a gallery of mirrors. Reflections multiply, its reflect themselves. And no matter how much we do not peering into these spaces, for us there is no room. There's havn't our reflection. We were not there. We are here on this side. We stand and look at the line, what is blunting in the picture, which is itself a gallery.

To understand this, we must recognize the right of the picture to independent existence as a self-contained object. After all, painting is not necessarily a reflection of reality, as it was in the classical period, and as she not always appears as a window into another world, as is with the icon. The picture can assert itself as the object itself. It may be an image itself. It have been declared the first conceptual artists' 60s of the last century, usually reckon to minimalism, such as Sol Levitt and Frank Stella.